By Subhash K Jha
Mumbai, Dec 9 That brilliant writer of “Delhi Belly” is at it again. The language of Akshat Verma’s directorial debut “Kaalakaandi” has stunned, shocked and embarrassed many.
Former chairperson of the Central Board of Film Certification (CBFC) Pahlaj Nihalani had said: “The ‘gaalis’ (abusive words) that you will hear in this film are what you’ve never heard in your life.”
Verma feels “Thankfully ‘Kaalakaandi’ has been rescued from being butchered by the censor board”.
“The CBFC had asked for more than 70 cuts, and that was mostly the language that Pahlajji told you about. But that’s how people speak in the milieu that I have gone to. You can’t gag the characters because their style of talking doesn’t suit you.”
So was Verma trying to live up to the reputation of the colourful quirky colloquial talk that he had cultivated when he wrote “Delhi Belly” by putting more of the same in his directorial debut?
He said: “It’s not as if I consciously got down to doing a film that would have as many ‘gaalis’ as ‘Delhi Belly’. When I wrote ‘Delhi Belly’, the characters spoke to me and thence to the audience in a certain way. Now in ‘Kaalakaandi’ they speak a language that we may not accept as normal. But it is perfectly normal to the milieu and context of the film.”
Luckily, for Verma the verbal imbalance recommended by the CBFC was restored by the Film Certification Appellate Tribunal (FCAT).
“They restored all the cuts, and by doing so they restored my faith in the democratic process. They just asked for three nominal verbal cuts which we made happily. The tribunal understood the desperate essence of the theme,” says the writer-turned director.
“Kaalakaandi” is a dark comedy about a man who gets to know he has very little time to live.
“It’s not easy to laugh about death in our films. Would such a character be bothered with niceties pleasantries…? Desperate situations bring out the real you, I feel,” said Verma.
On choosing Saif Ali Khan, whose last few films like “Chef” bombed at the box office, as the leading man of “Kaalakaandi”, Verma said: “I am so glad we chose Saif for the film. He is extremely effective at bringing out the confusions and the inner chaos of the character.”
“In real life also, Saif doesn’t hesitate in expressing his inner doubts. We are a humanity stricken by uncertainties. I think it’s nice to have these misgivings expressed on screen rather than to have heroes who speak in measured rhetorical tones.
“Flaws are what make our heroes interesting. And since Saif plays a very flawed character, I feel his character is very interesting,” he said.
For a while, it was touch-and-go for “Kaalakaandi” when the producers contemplated releasing the film on the digital platform. Luckily for Verma, Saif and all the actors and technicians, the film now gets a big screen release in January next year.
“You work hard on a film, and on every detail, its sound design, the music mix, the colour correction…After that you cannot have your work placed on a platform that shrinks its qualities.
“I am just happy that we are going to be seen on the big screen. Not to undermine the digital platform which works just fine in today’s day and age,” he said.
–IANS
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(This story has not been edited by BDC staff and is auto-generated from a syndicated feed from IANS.)
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